Sunday, March 7, 2010

House of Bernarda Alba

The actress.. The Mum and 5 daughters.. Real good singers!!


After for long i left this blog mati mati !!!
now is time to update bit.. !! hahaha..

went to KLPAC in Sentul.. for ur info, KLPAC is Kuala Lumpur Performing Arts Centre..
i believe non of my friend will be bold enough to bring me to watch musical drama!??
like what the hell !!?? LoL~~ thats so not my thing..

thanks to Eeping for bringing me to such wonderful musical performance..
i love the singing part by those actress.. one word to describe awesome~

to make things short.. i copied this plot summary from wiki~


After the death of her second husband, Bernarda Alba, a dominating woman, imposes a period of mourning on her household to last eight years, as has been traditional in her family. Bernarda has five daughters, aged between 20 and 39, whom she has shielded and controlled to an excessive degree and prohibited from any form of relationship. The mourning period further isolates the daughters, and tension mounts within the household.

After a mourning ritual at the family home, Angustias, the eldest daughter, enters, having not been present while the guests were there. Bernarda is angered, assuming she had been listening to the men's conversation on the patio.

Angustias inherited a large sum of money upon the death of her father, Bernarda's first husband, while the other four sisters inherited much less from their father, Bernarda's second husband. Angustias' wealth attracts a suitor, the young and attractive Pepe el Romano from the village. Passion and jealousy among the sisters increases. They feel it is unfair that Angustias, the oldest and most sickly of them, should receive both the majority of the money and the freedom to marry and leave the constraints of the house.

Adela, the youngest, is stricken with sudden spirit and jubilation on the day of her father's funeral. Defying Bernarda's orders to dress only in black and mourn, she refuses to take off her green dress. Her brief time of feeling young and free is suddenly shattered when she discovers that Angustias will be marrying Pepe. In her distress she threatens to run into the streets in her green dress, but her sisters are able to stop her. Suddenly, Pepe el Romano is seen coming down the street. Adela stays behind while her sisters rush to get a look at him--until a servant in the household hints to her that she could get the best view from her own bedroom window.

As Poncia and Bernarda discuss matters of the daughters' inheritance upstairs, Bernarda spots Angustias wearing makeup. Appalled that she would defy her orders to stay in a state of mourning, she violently washes the makeup from her face. The daughters all enter in the commotion. Finally Maria Josefa, Bernarda's elderly mother, who is usually locked away in her room, enters. She says she wants to escape the house and get married. She also warns Bernarda that she is going to turn her daughters' hearts to dust if they cannot be free. Bernarda retaliates by forcing her back into her room.

It transpires that Adela has been conducting an illicit affair with Pepe el Romano. She becomes increasingly passionate, refusing to submit to her mother's will and arguing with her sisters, particularly Martirio, who is revealed to also be in love with Pepe.

The tension in the story comes to a head as the family confronts one another. Bernarda chases Pepe with a gun. A gunshot is heard from outside, implying that Pepe el Romano has been killed. Adela slips into another room while the family anticipates the outcome. As Martirio and Bernarda re-enter, Martirio states that Pepe el Romano got away with his life, and Bernarda remarks that as a woman she cannot be blamed for not knowing how to aim.

With Pepe el Romano dealt with, Bernarda turns her attention to calling for Adela, who has locked herself in a room. Bernarda and Poncia work at bringing down the door through force after being met with silence from Adela. Upon gaining entrance to the room, Poncia shrieks. Returning with her hands clasped about her neck, she warns the family to not enter the room--Adela has hanged herself.

The closing lines of the play show Bernarda characteristically preoccupied with the family's reputation. She calls for it to be made known that Adela died a virgin (which is not the case, as the play alludes that she and Pepe have been meeting in secret). No one is to cry.